Naseeruddin Shah, while praising the appearance of Dilip Kumar and thanked him ‘for magical’, talking about his contribution to Indian cinema.
Veteran actor Naseeruddin Shah wondered why the actor late Dilip Kumar ‘chose to play safe as he did’, even though it became a star and ‘immaculate’ in his craft. Naseeruddin made this observation in the opinion section written after dilated death.
Dilip Kumar died on July 7 after a prolonged disease. By chance, Naseruddin Shah suffered pneumonia and was treated at the same hospital as dilip in his last days. However, they did not meet.
In a piece for the Indian Express, Naseeruddin admitted that ‘oversized undoubtedly’ the appearance of dilip but questioned his contribution to the cinema. He showed that his film was limited, compared to his contemporaries.
“Some of the works are undoubtedly surviving the test of time but, given the position he is in, it is more than clear he does not do enough other than acting and engaging in his social cause close to his heart. He only produces one film, does not direct what Even (at least officially), never pass through the benefits of his experience, did not bother managing anyone, and despite the pre-1970s show, there was no significant lesson for the future for the future of the actor; even his autobiography was just an old interview rehash , “he wrote.
“This is confusing why a man is aware of his place in history because he must be reluctant to record his interaction with some large filmmakers recognized from his time or say something truly informative about the nature of the work and his technique. I hope, at some point, At least ever continuously about the distress involved in maintaining the legion of fans specifically, “he added.
Naseeruddin praised the ‘perfect characterization, a dignified deport, diction Melliflued, emotion controlled but fat’ in a dilip show, especially before Ganga Jumna (1961). He also expressed his gratitude to the final actor ‘for magic’.
Dilip exhaled his last breath at Hinduja Hospital in Mumbai on July 7 and survived his wife Saira Banu. In his career which stretched for five decades, he played a role game and was considered an institution in acting. He is known as ‘King Tragedy’ to excel in a reflection and intense romantic role.
